"Some people say Second Life is just a dollhouse," Mankind Tracer told dancers during a break between songs while performing at Pop Art Lab’s first birthday bash on Saturday. He was quoting cynics who question the seriousness of virtual worlds such as Second Life and say we are doing nothing more than dressing up our avatar dolls and furnishing our virtual dollhouses.
Cynics about cars and telephones a century ago, who viewed these new contraptions as nothing more than toys for dabblers that would never have any serious application, could not see how thoroughly each would change the world. Today’s cynics make the same mistake in dismissing Second Life and other virtual worlds.
The performers at the Pop Art Lab birthday party are one example of the many ways virtual worlds are changing our world. Not long ago, performers starting out in their career were limited to local stages; today, their avatars can perform before global audiences. The performances on Saturday reminded me again of what extraordinary musical performers we have in Second Life. In addition to Mankind Tracer and his Tracerettes, Pop Art Lab party goers were entertained by singers Hazideon Zarco, Avvy Banzrane, Obeloinkment Wigglesworth, and Starflower Orbit performing a combination of classic Sixties songs and their own compositions.
Pop Art Lab’s founder Claus Uriza
The theme for the party was the psychedelic Sixties. Some guests got totally into the role, such as the woman shown in the picture here, smoking what appeared to be an enormous joint while dancing. Avatars could also recline in flower seats rotating slowly above the dance floor and enjoy 3D art contributed by the Caerleon Art Collective.
These photos and the ones below are all from the Pop Art Lab party.
This was my first visit to Pop Arts Lab. I’d been intending to visit ever since hearing founder Claus Uriza talk about it at the Second Life Community Convention in San Francisco last month (see my coverage of Day 1, Day 2, Day 3, and Day 4), but I was always too busy to take the time. On Saturday, however, I decided to skip other important business I should have been tending to and instead I logged onto Second Life and teleported to the party. I’m glad I did!
The party itself was fun, and the music excellent, but the Pop Art Lab itself was the important discovery. I didn’t get to explore it at the party, but I plan to return. Even apart from what it offers, visually it’s a treat, very imaginatively laid out.
Pop Art Lab consists of themed music domes clustered around a dance circle, with bean bags scattered around for those who don’t want to dance. There are domes devoted to Rock, Pop, Hip Hop R&B, and Electronica, and a stage. There’s more than I have the space or time describe here. It’s not a club, but a place to go hang out, alone or with friends, listening to a variety of music in a wildly imaginative 3D environment. The best way for you to learn more is to pay a visit.
The party may be over, but Pop Art Lab remains a fascinating place to visit. Second Life members can teleport there at slurl.com/secondlife/Pop%20Art%20Lab/85/128/131. If you use Second Life’s in world Search to search for "Pop Art Lab" you’ll find not only the main teleport link, but teleport links for each of the themed music domes.
  |
|
  |
|
  |
|
  |
|
 |
Second Life: Dollhouse or Reality?
This weekend I heard someone say, "Second Life is just a dollhouse where people spend their time dressing avatar dolls and furnishing virtual houses!" Someone else insisted, "Second Life is a game for people who don’t want to admit they’re roleplaying."
So what is Second Life? Is it just a game, a place where folks waste their time dressing dolls and role playing, or is it something more? This picture shows a dollhouse in Second Life that you can actually buy (at Babydolls Boutique), but let’s that put aside. The criticism of Second Life isn’t that it contains dollhouses, but that it is a dollhouse.
Dictionary.com quotes the following Random House Dictionary definition of a dollhouse as, "a miniature house the scale of children’s dolls," and the American Heritage® Dictionary definition as, "A small model house used as a children’s toy or to display miniature dolls and furniture."
If all a person ever does in Second Life is modify the appearance of their house, then the first description would be pretty accurate, but how many of us limit ourselves to working on our Second Life houses and doing nothing else? There may be some, but no one I know. If the dollhouse is taken to be Second Life itself, and not literally our houses in it, the analogy is even less valid. "Toy" and "miniature" do not begin to describe Second Life, a world which spans the globe, with generally 60,000 or more people logged on at any one time, and in which many of the world’s largest corporations and universities have an active presence. People are building businesses, establishing careers, and finding new ways to interact in Second Life. It is no dollhouse.
The role play argument may be slightly harder to dismiss. Dictionary.com offers two definitions for roleplay:
1. To assume the attitudes, actions, and discourse of (another), esp. in a make-believe situation in an effort to understand a differing point of view or social interaction: Management trainees were given a chance to roleplay labor negotiators.
2. To experiment with or experience (a situation or viewpoint) by playing a role: trainees role-playing management positions.
Roleplaying is clearly a huge and vibrant part of Second Life. It takes many forms. You can fight with guns, knives, and arrows in a reproduction of the 19th century American Southwest, or do high tech battle in science fiction sims. There are fantasy battles, and there’s even a reproduction of real life jail, where people can voluntarily be locked up as virtual prisoners for a week, or play at being guards or other prison staff. There’s also a virtual wrestling league where avatars can engage in wrestling matches; I wrote about it in April. It’s clearly roleplaying.
A few months ago, I wrote about a Muslim sim where you can go on a virtual Hajj. Roleplaying can be an attempt to understand other cultures, and this Hajj is one way of doing it. This is a classic, nongame use of roleplaying.
The line between roleplaying and real life becomes murkier in Second Life places like the 1920s Harlem Cotton Club, which I wrote about in May and New York City’s Chelsea Hotel, which I’ve also written about. Both are places that replicate a different time and place, where people can dress up to fit in with the setting, but where the primary reason for going is to listen to live music and dance.
Another murky area is the forms that our avatars take. Few people have avatars that mimic their real life appearance. Most of us don’t even try. When we choose avatars of a different gender, or nonhuman avatars, is it roleplaying?
But is everything in Second Life roleplaying? If a singer adopts a furry avatar and establishes a global base of fans through Second Life performances, or a college offers classes conducted entirely in Second Life (which I wrote about recently), or when Pop Art Lab tries to change how people worldwide listen to music, which I wrote about on Saturday, is it roleplaying?
It’s not. When people are creating new things, establishing new careers, and building businesses, they are generally not engaged in make-believe or simply playing roles. It’s for real. And this aspect of Second Life is real. Call it synthetic reality, augmented reality, or whatever you want, but it’s real, an augmentation of our physical lives, allowing us to do things and meet people we could not if we were limited to the physical world.
Second Life certainly can be used as a dollhouse or for roleplaying, but it can also be used – and is being used – for very real activities that augment our physical lives.